Opening
sequence Analysis
Before the beginning of the opening credits in the short
sequence of the film “The Sixth Sense,” while it is showing the company logo,
tension is being built. They do this by not playing any music; it is in
complete silence as the opening credits begin. Already at this point the viewer
is feeling insecure and a sense of fear around them, due to the silence. This
also gives a supernatural atmosphere to the viewer, foreshadowing what the film
is about to the viewer.
It begins with the opening credits, fading in and out. The
opening credits are white and the background is dark as the opening credits go
on. These binary oppositions contrast and set the scene for the events ahead
(woman in purple gown and gloomy set), this gives the effect that they are
being taken in by the darkness, and this creates a dark atmosphere for the
viewer, as darkness also relates to danger, and by this they now know that this
film is not a happy film. The audience are gripped by the darkness and drawn
into it immediately, as the credits seem to spread out before they fade into
the darkness. This catches the attention of the viewers and keeps their eyes
fixed on the screen; it also makes the viewer feel uncomfortable as the credits
are uncontrollably zooming towards them, surrounding them in tension. The
contrasting colours of black and white also do this well by using editing
effects. The non-diegetic sound of the music also adds to the effect, as it is
very dark and eerie, creating an uncomfortable atmosphere for the audience, as
they also become more aware of their own surrounding, also changing their mood
from when there was no non diegetic sound, as they feel more paranoid and on
edge.
As soon as the title “The sixth sense” fades in, it is blurry
and shaded before it fades out. The dark and sinister music also increases in
tempo and becomes more dramatic. These relates to what the film is about,
stereotypically a ghost would appear in the same way, as did the title and
disappear. The viewers, at this point, are scared, as the sudden change in
music and its volume shocks the audience as they may not expect it to happen.
After the title has appeared, the music changes in pitch and tempo, this puts
the audiences mind at ease, and lets them think about what it going to happen
in the film, and what might be encountered during it.
The non diegetic sound
of music fades out as soon as the opening scene begins with a close up shot of
a light blub slowly fading in. This shows the light bulb in more detail, and this
also makes the audience think about what will happen in this scene, and creates
an uncertain mood among them. It will also make the audience question the
scene, as they can only see the light bulb in great detail and not the rest of
the set; it also has nothing covering it, which gives the impression that this
is an uncomfortable scene. By the camera filming a long shot behind the wine
rack as the character enters, and using a tracking dolly it follows the
character. This gives an impression to the viewer that the character that has
entered the scene is being watched and is not alone in the room. It also makes
the audience feel very uneasy, as the character feels she is not alone in the
room, and quite vulnerable, especially when she then turns her back on the wine
rack.
Using a dark and gloomy setting around with no colour, this
short sequence uses ‘Mise en scene’. This is because the characters costume is
a purple dress, this colour contrasts with the dark setting, and draws the
attention from the audience onto her, and also tells them that she should not
be there as she does not “fit in” to her surroundings. The lighting in this
scene is dark and makes the setting look abandoned, and her bright purple dress
standing out shows that she is dressed for a special occasion elsewhere.
Before the character walks up to the wine rack she hesitates,
which tells the viewer that she is uncomfortable being down in the basement, and
that she senses that something is behind the wine rack, the fact that she is
filmed using a close up shot allows the viewer to see the character’s emotions
very clearly, meaning that the audience mirrors her fear and, therefore, starts
to worry themselves. It also gives the effect that something is watching her
when the character is looking at the wine bottles on the rack. The camera
follows her as she moves up and down to find the bottle she wants. This makes
the audience feel uneasy, and also keeps the effect that she is being watched. The
character then hears a non-diegetic sound effect of something falling on the
floor, and something dragging across the floor, the sound is non-diegetic
because the audience can’t actually see what has fallen, making the viewer feel
confused and scared about what has and what might happen. The camera then zooms
in to a close up, at this point the audience know that she has been alerted,
and can see her facial expressions, telling the audience that she is scared,
and frightened.
After the character turns her back on the wine rack, the camera
cuts to a mid-shot, to see the front of the character, her shadow is in the
background, where it is mostly darkness. The lighting is in bars, giving the
effect that whatever is in the room with her has already caught her. Her shadow
gives quite a sinister effect to the audience, relating to one of the main
aspects of the film, again relating to the thriller genre of the film and what
the film is about. Her being confined by the darkness builds tension and makes the
audience feel paranoid, expecting something to jump out at her from the
darkness.
The camera then cuts
to a long shot. There is an open space in the set around the character; this shows
that the she is even more helpless and vulnerable in the open space, as she
also looks around the set. This tells the viewer that she is worried and has no
idea if anything is there. This also makes the viewers feel insecure and
worried for the character. Also by using a long shot of the camera, it shows
the dark side of the stairs and the set, this may also shows that it is hiding
in the darkness; this makes the viewer feel nervous and suspicious of the
surrounding area including the dark spots around them. This is also shown from
the other side of the wooden staircase, giving the effect again that someone is
now watching her from there. This is also shown by a complete change in her
characteristics. Before she looked more at ease, but now she seems cold and
shivering, as she senses that something is not right. Telling the audience that
maybe she is not alone in the basement. The diegetic sound effect of heavy
breathing also tells the audience that she as a character is frightened and
feels vulnerable in her position. The character then holds the bottle close to
her chest; this could be her comforting herself because at this moment she is
fearful. The character then quickly walks out and up the stairs. This makes the
audience feel very uneasy as she is unknowingly walking towards what ever is by
the stairs. This also shows that she is still frightened and wants to leave
quickly, as she is unaware if anything is by the stairs. On the wall behind the
character there is a light shining. With the viewer already nervous and on the
edge of their seats, this bright part of the wall draws their attention as they
will be focused on the character, it seems to look like a face or some sort of
ghostly mist to the viewer until they
see it. This relates again to what the film is based on, and to what’s happened
in this opening sequence, it plays with the viewer’s mind.
All these things are typical of a thriller genre because it
is dark, this makes the viewer feel vulnerable and scared, and this is done by
various things such as the eerie music and dark and gloomy set. It also makes
them paranoid of their surroundings using different camera positioning, making
it look as if the character is being watched. This may make the viewer feel
like they are being watched.
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